A bass guitar solo album in the most literal sense. A long time in the making these 19 pieces performed solely on bass guitar were composed and recorded over a number of years.
Exploring a more American sound this music finds it's roots in the blues, old folk songs and hymns. An acoustic slide guitar leads the way through a mixture of brooding and uplifting tunes. An old timey feel is present throughout.
At the center of this space-themed album is the lap steel guitar. Moving far from it's country roots the instruments soft and warm timbre is the harmonic and melodic foundation of the music. Laid back drums, bass and keyboards provides it with a rhythmic frame.
Aerial and ambient this music soars unhurried through it's own sky. You can sense a guitar, a piano or a drum but they don't behave like they usually do. A less dense sister album to Critical mass.
Built from three continents of sound this album leaves the usual song based approach behind. Slow moving like lava pouring from a volcano. Recorded using traditional instruments but presented in a distinctly non-traditional way. A sister album to Polaroid dreams.
An eclectic collection of songs, some recorded many years back. Nordic melodicism meets more bluesy elements in a mostly acoustic setting often visited by a soaring lap steel guitar. A lone slightly out of tune piano punctuates the recording.
Acoustic instruments like guitar, piano, mandolin, ukulele and zither make up the core of this wintery collection of songs. Archaic melodies in sparse arrangements makes this album an often filmic experience.
Recorded in just a few days with the electric guitar being the only instrument used. A Telecaster, a tweed amp and a few pedals makes for a minimalistic journey through a barren and distorted landscape.
Arrival of a train at a deserted station (July 2020)
Dark and heavy electric guitar based album. Slow tempos and ambient textures with a lot of slide guitar, lap steel guitar and the bass guitar is frequently featured.
